英語(yǔ)讀書筆記作文

時(shí)間：2021-06-03 14:56:26 讀書我要投稿

英語(yǔ)讀書筆記作文

　　篇【1】：老人與海

英語(yǔ)讀書筆記作文

　　The Old Man and the Sea is one of Hemingway's most enduring works.Told in language of great simplicity and power,it is the story of an old Cuban fisherman,down on his luck,and his supreme ordeal——a relentless,agonizing battle with a giant marlin far out in the Gulf Stream.

　　Here Hemingway recasts,in strikingly contemporary style,the classic thene of courage in the face of defeat,of personal triumph won from los.

　　Written in 1952,this hugely successfully novella confirmed his power and presence in the literary world and played a huge part in his winning the 1954 Nobel Prize for Literature.

　　The novel is very famous in the world, so lot of people like this novel. We also studied it in our Chinese class, Hemingway's novel are always interesting I like his novel much, also in his novel we can learn a lot by his meanings.

　　It’s really a good novel for people to read.

　　中文翻譯：老人與海是海明威的最不朽的作品。在非常簡(jiǎn)單的語(yǔ)言告訴和權(quán)力，這是一個(gè)古老的古巴漁夫的故事，他運(yùn)氣不佳，他的最高考驗(yàn)——一個(gè)無(wú)情的，與遠(yuǎn)處的海灣流的一個(gè)巨大的馬林魚的痛苦的斗爭(zhēng)。

　　海明威在這里重述，在驚人的現(xiàn)代風(fēng)格，在面對(duì)失敗的勇氣的經(jīng)典主題，取勝的個(gè)性。1952寫的，這個(gè)非常成功的中篇小說(shuō)證實(shí)了他的權(quán)力和世界文學(xué)的存在和在他贏得了1954年度諾貝爾文學(xué)獎(jiǎng)起到了很大的一部分。

　　這部小說(shuō)在世界上很有名，所以很多人喜歡這部小說(shuō)。我們還研究了它在語(yǔ)文課上，海明威的小說(shuō)我都喜歡他的小說(shuō)非常有趣的，也在他的小說(shuō)中我們可以學(xué)到很多自己的意義，這真的讓人讀一本好的小說(shuō)。

　　篇【2】：雙城記

　　After reading "A tale of two cities" "A tale of two cities" is one of Dickens's most important representative works.The novel profoundly exposed the society contradiction before the French Revolution,intensely attacks the aristocratic social clais dissolute and cruel,and sincerely sympathizes with the depressed classes.The novel also described many magnificent scenes like the revolt people attacked Bastille and so on,which displayed people's great strength.

　　The novel has portrayed many different people. Doctor Manette is honest and kind but suffers the persecution actually ， Lucie is beautiful and gentle ，Charles is graceful and noble，Lorry is upright and honest ，Sydney is semblance of indifferent, innermost feelings of warm,unconventional but also selfleand lofty，MiProis straightforward and loyal，Evremonde brothers are cruel and sinister......The complex hatred is hard to solve, the cruel revenge has made more hatreds, loves rebirth in the hell edge,but take the life as the price.

　　As an outstanding writer,in Dickens's work,the language skill is essential.Each kind of rhetoric technique,like the analogy,the exaggeration,the contrast,the humorous,and the taunt are handled skillfully,and the artistry of the work is also delivered the peak."A tale of two cities" has its difference with the general historical novel, its character and the main plot are all fictionalizes.With the broad real background of the French Revolution,the author take the fictional character Doctor Manette's experience as the main clue,interweaves the unjust charge, upholstery and so many techniques,causes the structure integrity and strictness,the plot winding anxious and rich of theatrical nature,it displayed the remarkable artistic skill.the style "A tale of two cities" is solemnity and melancholy,fills indignantion,but lacks the humor of the early works.

　　雙語(yǔ)對(duì)照：

　　《雙城記》是狄更斯最重要的代表作，小說(shuō)深刻地揭露了法國(guó)大革命前的社會(huì)矛盾，強(qiáng)烈地抨擊貴族社會(huì)克勞狄斯放蕩不羈的`和殘酷的，并真誠(chéng)地同情下層。小說(shuō)也描寫了許多華麗的場(chǎng)景一樣起義人民攻擊巴士底獄等，其中顯示了人民的偉大力量。

　　小說(shuō)刻畫了許多不同的人。曼內(nèi)特醫(yī)生是誠(chéng)實(shí)和善良而遭受迫害，露西是美麗的，溫柔的，查爾斯是優(yōu)雅高貴，卡車是正直和誠(chéng)實(shí)的，悉尼是外表冷漠，內(nèi)心的溫暖，但也非selfleand崇高，miprois正直忠誠(chéng)，埃佛瑞蒙德兄弟殘忍和邪惡的......復(fù)雜仇恨是很難的要解決的，殘酷的報(bào)復(fù)了更多的仇恨，愛重生在地獄的邊緣，但以生命為代價(jià)。

　　作為一個(gè)杰出的作家，狄更斯的作品中，語(yǔ)言技能是必要的。每一種修辭手法，如比喻，夸張，對(duì)比，幽默和嘲諷，被熟練地運(yùn)用，作品的藝術(shù)也達(dá)到了頂峰�！皟蓚€(gè)城市”的故事有其一般歷史小說(shuō)的區(qū)別，其特征和主要情節(jié)都是虛構(gòu)的。在法國(guó)大革命的廣泛的實(shí)際背景，作者以虛構(gòu)角色馬內(nèi)特醫(yī)生的經(jīng)歷為主線，將不公正的指控，室內(nèi)裝飾和許多技術(shù)，導(dǎo)致結(jié)構(gòu)的完整性和嚴(yán)密性，情節(jié)曲折緊張，富有戲劇性，它顯示了卓越藝術(shù)技巧。兩個(gè)“城市的故事”是莊嚴(yán)和憂郁，填補(bǔ)indignantion，但缺乏早期作品的幽默感。

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